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How Not to Make a Short Film: Secrets from a Sundance Programmer
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Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right?
Wrong.
Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.
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Audible Audiobook
Listening Length: 6 hours and 38 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Hachette Audio
Audible.com Release Date: January 6, 2015
Language: English, English
ASIN: B00R3A09ME
Amazon Best Sellers Rank:
Roberta gives great advice on making a film and on what a filmmaker should expect. Because I liked her book so much, I hired her to consult on my script. She gave me some excellent notes on my story. When I asked her opinion about my steps going forward, she was very candid and honest with me.
Every filmmaker that wants to make a short or has made a short needs to read this.
As someone studying screen production at post-graduate level, I found this book very useful for practical advice. Some helpful tips on what not to do (e.g. don't cast your girlfriend as the protagonist) should at least steer you in the right direction for the short film festival circuit. However, some of the difficulties in getting your film screened, might be a little less difficult than the author makes out. There are plenty of independent cinemas willing to screen your short (forgetting the film festival circuit for a moment). Perhaps in the USA it is much harder but that's not the case all over the world. The author's desire to get film makers to improve their quality control is still useful and there's plenty of excellent resources to do further research listed.
Every filmmaker should read this book before they begin working on a short film or a feature film for that matter. It's one of the most insightful books I've ever read about making films and getting them programmed at a major festival. It helps to give you blueprint on saving time and money, while at the same time making sure you shoot a film that you are passionate about making. I will re-read this book every couple of years because sometimes you forget the little things and it's nice to have a friendly reminder on your shelf.
Important.
Interesting points, but it is kind of old.When this book was written the drones were not even invented:)))
Valuable tool. Keep it close.
Munroe, an ex-Sundance programmer, writes such a compelling work about short filmmaking that anyone thinking about getting their own film off the ground should certainly give this a read. She provides a slew of helpful information (especially about the do's and do-not's of short film story) that should serve a proper primer before tackling that screenplay or showing up on set. There is a lot of information in here that some film schools might shy you away from (like creating the shortest opening credits possible) but, trust me, she is right. No programmer (or audience that doesn't consist of your friends) are going to care about a 60-second production company logo at the start of a 20-minute short. So, should you buy this book? Well, if you are interested in making short films on a more professional scale, then absolutely. This book contains a wealth of information for those of you looking to broaden your audience outside of your friends and family.
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