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Paths to the Absolute By John Golding

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Sales Rank: #182929 in Books
Brand: Princeton University Press
Published on: 2000-10-15
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 10.60" h x 1.26" w x 7.88" l, 2.58 pounds
Binding: Hardcover
240 pages

Features

Used Book in Good Condition

From Booklist
Who's afraid of abstract art? Many, many people, it seems. Seldom has an art movement been so misunderstood, yet been so instrumental in shaping the direction of art in so many ways. In this series of lectures, distinguished art historian and critic Golding brings to life an often-disconcerting subject. Studded throughout with colorful illustrations, Golding shows the progression of modern, abstract art from its roots in expressionism and Fauvism to its postmodern expressions. The artists featured--Mondrian, Malevich, Kandinsky, Newman, Rothko, and Still--are all exemplars of a specific turn taken in the development of abstract art. Each chapter illustrates that turn and approachably describes each artist's artistic growth and influence on the future. Golding clearly communicates the artists' visions, the vision of abstract art, and why it's so important to understand the abstract movement in relation to where art is going. Golding's excellent work brings the reader from an artistic cloud of unknowing into expert mode with beauty and precision. Michael Spinella
Copyright © American Library Association. All rights reserved

Review
Winner of the 2002 Mitchell Prize

"[A] sensitive survey of seven of art's most influential abstract painters. . . "--The Sunday

"A beautifully designed, superbly illustrated volume . . . "--Carter Ratcliff, Art and Auction

"[Golding] argues that the best abstract art is about something and that its meaning comes partly from the artist. The modernists he discusses were drenched in ideas, especially of better or hidden worlds."--The Economist

"Seldom has an art movement been so misunderstood, yet so instrumental in shaping the direction of art in so many ways. . . . Golding's excellent work brings the reader from an artistic cloud of unknowing into expert mode with beauty and precision."--Booklist

"The skill of Golding's style is that it draws together considerations of art-historical significance, aesthetic value . . . and personal opinion into a provocative amalgam."--Matthew Reynolds, Times Literary Supplement

"The restraint, subtlety, and intellectual rigor of John Golding's Paths to the Absolute . . . are especially timely."--The New York Review of Books

"Short, lucid, and written in a wonderfully jargon-free prose."--Michael White, Burlington Magazine

"Whether writing of Mondrian's quest for the purity of art, Pollock's search for the symbol, or Rothko's abstract sublime, the author eloquently conveys the deep spiritual impulses of such art in vivid and learned analyses."--Virginia Quarterly Review

"John Golding beautifully handles the thorniest of subjects. . . . The narrative maintains what was indeed the tenor of the talks themselves a shrewd selectiveness allied to insights of a discretion that almost belies their profundity. . . . It is the extraordinary rightness of the perceptions running throughout Paths to the Absolute which makes it finally so memorable."--David Anfam, Apollo

About the Author
John Golding is a distinguished art historian, art critic, curator, and painter. He was a lecturer and reader in the History of Art at the Courtauld Institute; a senior tutor at the Royal College of Art, London; and Slade Professor of Fine Arts at Cambridge University. His history of Cubism published in 1959 remains the standard work on the subject. His recent publications include Braque: The Late Works (1997), Picasso: Sculptor/Painter (1994), and Visions of the Modern (1994).

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